To enjoy Prime Music, go to Your Music Library and transfer your account to Amazon.com (US). Protected content This content can only be viewed in authorized regions: United States of America, Canada. [29] At first, Quinn considered withdrawing from La Strada, but Fellini convinced him to work on both films simultaneously—shooting La Strada in the morning and Attila in the afternoon and evening. In 1994 a re-mastered print was financed by filmmaker Martin Scorsese,[53] who has acknowledged that since childhood he has related to the character of Zampanò, bringing elements of the self-destructive brute into his films Taxi Driver and Raging Bull. Why are you so hard on me? Rota: La strada/Pons. [91] Soon, other Italian filmmakers, including Michelangelo Antonioni and even Fellini's mentor and early collaborator Roberto Rossellini were to follow Fellini's lead and, in the words of critic Peter Bondanella, "pass beyond a dogmatic approach to social reality, dealing poetically with other equally compelling personal or emotional problems". Modern Contemporary, Nino Rota/Fellini Masterpieces: La Strada/Le Notti di Cabiria [Original Film Soundtracks]. Buy CD Sell CD. Directed by Federico Fellini. For instance, a line of fifteen words equals an enumeration of up to thirty. Buy Rota: La Strada, etc / N‚zet-S‚guin, Swartz, Trudel, et al from Kogan.com. When Zampanò finds her there, he forcibly takes her back. La Strada takes its subject from Fellini’s 1954 film that also featured a score by Rota; but for the ballet of several years later Rota borrowed tunes from both that film and others. Your Amazon Music account is currently associated with a different marketplace. "La Strada: Cinematographic Intersections". [27] This changed as soon as executives at Paramount viewed the rushes of the scene and lauded Masina's performance, resulting in De Laurentiis announcing that he had her on an exclusive and ordering her to sign a hastily prepared contract, at approximately a third of Quinn's salary. This feeling suggested two people who stay together, although it will be fatal, and they don't know why. They should have laughed at you. Rota: Suite from 'La Strada'/ Sinfonia sopra una canzone d'amore/Waltzes from 'Il Gattopardo' Running Time: 63:38. Go to her anyway!' To create such a film, the author must have had not only a considerable gift for expression but also a deep understanding of certain spiritual problems. A musical based on the film opened on Broadway on 14 December 1969, but closed after one performance. La Strada (1954) — (Movie Clip ... Nino Rota's score, an essential part of the film, was also a smash hit. Review by: David Hurwitz. [2] The development process was long and tortuous; there were various problems during production, including insecure financial backing, problematic casting, and numerous delays. Nino Rota - Jeden z najwybitniejszych współczesnych kompozytorów i twórców muzyki filmowej. "[40] Biographer John Baxter has commented on the usefulness of such a system: "It helps pinpoint an instant in the speech where he [Fellini] wants a different reaction. Gelsomina (Giulietta Masina), a young woman, learns that her sister Rosa has died after going on the road with the strongman Zampanò (Anthony Quinn). 'No, there, stop, turn, look at her, look at her. "La strada" Original soundtrack. Nino Rota. It is a program, to show only certain aspects of life". After Il Matto drenches Zampanò with a pail of water, Zampanò chases after his tormentor with his knife drawn. "[60], The Venice premiere began "in an inexplicably chilly atmosphere," according to Tino Ranieri, and "the audience, who rather disliked it as the screening began, seemed to change opinion slightly toward the end, yet the movie didn't receive—in any sense of the word—the response that it deserved. About. When the 1954 Venice Film Festival jury awarded La Strada the Silver Lion while ignoring Luchino Visconti's Senso, a physical brawl broke out when Visconti's assistant Franco Zeffirelli started blowing a whistle during Fellini's acceptance speech, only to be attacked by Moraldo Rossi. ... That's how he's able ... to use performers from many countries. As Gelsomina watches in horror, the strongman strikes the clown on the head several times. The main problem in Fellini's La Strada is the annoying main character. [35] She complained: "You're so nice and sweet to the others in the cast. With La Strada Fellini left behind the familiar signposts of Italian neorealism for a poetic fable of love and cruelty, evoking brilliant performances … It was the same story I'd imagined but with a crucial difference: mine focused on a little traveling circus with a slow-witted young woman named Gelsomina. Add to calendar . "La strada" Original soundtrack Nino Rota. z o.o. Zampanò gets drunk and wanders to the beach, where he breaks down in tears. "La strada" Original soundtrack. W ramach naszej witryny stosujemy pliki cookies w celu świadczenia Państwu usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. La Strada (1954) cast and crew credits, including actors, actresses, directors, writers and more. With Anthony Quinn, Giulietta Masina, Richard Basehart, Aldo Silvani. [38], The visual track of the 1956 English-language version of La Strada was identical to the original Italian version, but the audio track was completely re-edited under the supervision of Carol and Peter Riethof at Titra Sound Studios in New York, without any involvement by Fellini. Protected content This content can only be viewed in authorized regions: United States of America, Canada. - Marzio Conti on AllMusic - 2003 Share. [14], Fellini wrote the script with collaborators Ennio Flaiano and Tullio Pinelli and brought it first to Luigi Rovere, Fellini's producer for The White Sheik (1952). [59] Marxist critics such as Guido Aristarco rejected the film on ideological grounds, particularly objecting to what they considered Christian notions of conversion and redemption: "We don't say, nor have we ever said, that La Strada is a badly directed and acted film. Rota: La Strada, Il Gattopardo, Concerto-Soiree (Digipack) Skip to the end of the images gallery. Gelsomina and the Fool carry an aura of the marvellous around with them, which confuses and irritates Zampanò, but this quality is neither supernatural nor gratuitous, nor even poetic, it appears as a quality possible in nature. He learns that the woman's father had found Gelsomina on the beach and kindly taken her in. z o.o., podmioty powiązane i partnerów biznesowych. 1 film in package. As a result, he is briefly jailed, and both men are fired from the travelling circus. Nino Rota - "La strada" Original soundtrack × Mes favoris. Because of the circus context, much of the music is designed as if happening as part of the visible action. "[63], Fellini biographer Tullio Kezich observed that Italian critics "make every effort to find faults with [Fellini's] movie after the opening in Venice. He does part of the acting for the actors. Sprawdź! Protected content This content can only be viewed in authorized regions: United States of America, Canada. La strada (lit. Nino Rota. [38], Fellini scholar Thomas Van Order has pointed out that Fellini is equally free in the treatment of ambient sound in his films, preferring to cultivate what Chion called, "a subjective sense of point of audition,"[45] in which what is heard on screen mirrors a particular character's perceptions, as opposed to the visible reality of the scene. 2 - Yannick Nézet-Séguin, Orchestre Métropolitain on AllMusic - 2006 [56], Critical reaction in the UK and the US was equally mixed, with disparaging reviews appearing in Films in Review ("the quagmire of cheap melodrama"),[69] Sight & Sound ("a director striving to be a poet when he is not")[70] and The Times of London ("realism crowing on a dung-hill. [28], The new schedule caused a conflict for Anthony Quinn, who was signed to play the title role in Attila, a 1954 epic, also produced by De Laurentiis and directed by Pietro Francisci. The film depicts the tragic triangle of Zampano, a strong man in a circus; Gelsomina, an innocent but dim-witted country girl whom he buys into indentured servitude and seduces; and Il Matto, a tightrope walker who shows kindness to Gelsomina. We named Zampanò after the owners of two small circuses in Rome: Zamperla and Saltano. Rota, unhappy with that plan, wrote an original motif (with echoes of the "Larghetto" from Dvořák's Opus 22 Serenade for Strings in E major[51]) with rhythmic lines matched to Corelli's piece that synchronize with Gelsomina's movements with the trumpet and Il Matto's with the violin.[52]. La Strada (1954) - Film opowiada o specyficznej więzi łączącej cyrkowego siłacza Zampano i jego towarzyszkę podróży, Gelsominę. Nino Rota's ballet suite La Strada and the Dances from Il Gattopardo are frequently paired, being similar works that are related to his film scores, yet not really suites from film scores.In 1966 Rota fashioned a 12-scene ballet out of the story and music from La Strada, but also borrowed music from several other of his works. "[16] According to Quinn, however, Fellini was able to obtain this indulgence only by agreeing to film some pickup shots for Attila that Francisci, the director of record, had neglected to complete. )[7], The years since its initial release have solidified the high estimation of La Strada. Il Matto's solo violin music reflects his sympathetic nature in a rhapsodic, bittersweet fashion. According to Quinn: "I was thunderstruck by it. It is all there although not always clearly evident, not always interpreted with full poetical and human eloquence: it is suggested with considerable delicacy and sustained by a subtle emotive force. She was like an annoying Charlie Chaplin, I understand Fellini wanted a naive character but why annoying. A pig castrator lived there who was known as a womanizer: according to Fellini, "This man took all the girls in town to bed with him; once he left a poor idiot girl pregnant and everyone said the baby was the devil's child. Despite her willingness to please, he intimidates her and treats her cruelly at times. So we merged my flea-bitten circus characters with his smoky campfire mountain vagabonds. [25], Production started in October 1953, but had to be halted within weeks when Masina dislocated her ankle during the convent scene with Quinn. Copy link. Released on 1/7/19 by Milestones Records; Main artist: Nino Rota; Genre: Soundtracks Film Soundtracks; Available in. He made her wear a World War I surplus cloak that was so frayed its collar cut into her neck. symfonie, balet La strada, opery, utwory kameralne). "[15] Long afterwards, in 1990, Quinn sent a note to the director and his co-star: "The two of you are the highest point in my life -- Antonio. When he returned to Rome, he told me what he'd seen and his desire to narrate their hard lives on the road. [92] As film scholar Mark Shiel has pointed out, when it won the first Academy Award for Best Foreign Language Film in 1957, La Strada became the first film to win international success as an example of a new brand of neorealism, "bittersweet and self-conscious". [38] As a consequence, cast members generally spoke in their native language during filming: Quinn and Basehart in English, Masina and the others in Italian. He teaches her to play the snare drum and trumpet, dance a bit, and clown for the audience. Concert Band - Blasorchester - Harmonie sheet music book by Nino Rota (1911-1979): Editions Marc Reift at Sheet Music Plus. The La Strada suite is a 7 movement suite made by Rota for the La Scala Ballet using the music of the Fellini film and is , arguably, his most integrated and successful composition. Your Amazon Music account is currently associated with a different marketplace. Some years later, he overhears a woman singing a tune Gelsomina often played. With Anthony Quinn, Giulietta Masina, Richard Basehart, Aldo Silvani. The idea for the character Zampanò came from Fellini's youth in the coastal town of Rimini. Copy link. [48] For La Strada, Fellini used a variation by Arcangelo Corelli that he planned to use on the sound track. środków komunikacji elektronicznej oraz telekomunikacyjnych urządzeń końcowych w celu przesyłania mi informacji handlowych oraz prowadzenia marketingu (np. However, she had wasted away and died. Her husband, the legendary Federico Fellini, directs her as Gelsomina in La Strada, the film that launched them both to international stardom. [102], "A deceptively simple and poetic parable, Federico Fellini's, Academy Award for Best Foreign Language Film, British Academy of Film and Television Arts, List of submissions to the 29th Academy Awards for Best Foreign Language Film, List of Italian submissions for the Academy Award for Best Foreign Language Film, "The 29th Academy Awards (1957) Nominees and Winners", "Federico Fellini, Film Visionary, Is Dead at 73", "Music and Meaning in Fellini's "La Strada, "La Strada (1954) Screen: A Truthful Italian Journey; 'La Strada' Is Tender, Realistic Parable", "A big heart open to God: The exclusive interview with Pope Francis", "Topolino presenta: La Strada - Wikipedia", Academy Award for Best International Feature Film, Investigation of a Citizen Above Suspicion, Intolerance: Love's Struggle Throughout the Ages, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, New York Film Critics Circle Award for Best Foreign Language Film, Women on the Verge of a Nervous Breakdown, https://en.wikipedia.org/w/index.php?title=La_Strada&oldid=998584005, Best Foreign Language Film Academy Award winners, Films with screenplays by Federico Fellini, Articles with unsourced statements from March 2014, Articles lacking reliable references from March 2019, Articles with Italian-language sources (it), Articles with French-language sources (fr), Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License. La Strada . Nino Rota w 1923 roku jako młody chłopiec gra na pianinie. A care-free girl is sold to a traveling entertainer, consequently … [18], Ultimately, Fellini drew his three leading players from people associated with the 1954 film Donne Proibite (Angels of Darkness), directed by Giuseppe Amato, in which Masina played the very different role of a madam. The score to Frederico Fellini’s 1954 film La Strada was composed by Nino Rota. [18] For Zampanò, Fellini had hoped to cast a nonprofessional and, to that end, he tested a number of circus strongmen, to no avail. Don't turn away; go to her. La Strada - Fundacja Przeciwko Handlowi Ludźmi i Niewolnictwu - Warszawa - adres, telefon, e-mail, www, dane szczegółowe But how much meaning, how much ferment enrich this apparent simplicity.